The Majestic began
her life as the Bismarck and was launched by Countess Hanna von
Bismarck on June 14, 1914. She was
intended to be the largest and grandest of HAPAG’s Big Three, coming on the
heels of Imperator and Vaterland already in service on the Atlantic. At a length of 956 feet and 100 feet wide she
was the largest ship in the world.
Majestic passes Bishop Rock lighthouse. 1:1250 model by Carlo Marquardt. Lighthouse by Coastlines. |
Like the Vaterland, she
was built at Blohm & Voss and like her predecessors, her first class public
rooms were designed by noted architects Charles Mewes and Arthur Davis. Her two
forward funnels had their uptakes moved from the center to the side. This allowed for broad expanses of public
rooms with uninterrupted vistas looking fore and aft. Elaborate skylights capped the high ceilings
of these rooms. The third funnel was a
dummy and was used to balance the ship’s profile.
The height of luxury. The swimming pool on board the RMS Majestic. From Popular Mechanics, July 1922. |
Bismarck was still
being fitted out when the Great War began. Construction stopped as naval
vessels took precedence. As a result,
the unfinished ship sat out the war.
Majestic in floating drydock, Southampton. January 1932. German Federal Archives, Aktuelle-Bilder-Centrale, Georg Pahl (Bild 102). |
After being ceded to Britain under
the terms of the Treaty
of Versailles, the incomplete uncompleted ship was purchased jointly by the
White Star and Cunard Lines, together with Imperator. Construction of the ship resumed, albeit
slowly in 1919-1920. Renamed, Majestic, she was was ostensibly a
replacement for the pre-war 50,000-ton Olympic-class liner Britannic
which was lost in the Aegean in 1916.
When she finally emerged from the shipyard for trials in March
1922, she was painted in HAPAG colors and carried her intended name. White Star officials accepted the liner in
April and many locals stood silently at pier as the liner departed for
Southampton. It was, perhaps, the most
visible mark of Germany’s maritime defeat.
The Majestic was
the largest passenger liner afloat in the 1920s and would remain so until the Normandie. Her size, elegance, and prestige made her one
of the most popular ships of the period.
With Olympic and Homeric, she maintained White Star’s
weekly express service to New York. Sailors
and stevedores dubbed her the “Magic Stick.” She was in direct competition with her former
fleetmates, Cunard’s Berengaria and
United States Line’s Leviathan.
Majestic in harbor with Leviathan (left) and Berengaria (ahead). |
In 1928, Majestic was extensively refitted enjoyed a
boom year for passenger lists, but numbers fell slightly in 1929 and then the Great Depression set
in during the 1930s.
During slack periods as Atlantic crossings fell during the
Depression, Majestic, along with other liners, was employed in summer recreational cruises from
New York to Halifax,
Nova Scotia. She was among the first
ocean liners with a cinema capable of screening talkies.
Majestic alongside the Nova Scotian Hotel at Halifax,
Nova Scotia, Canada in 1934. Pier 20 is to the left and Pier 21 to the right. 1934. National Harbours Board, Canada.
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In 1934 in the North Atlantic an enormous wave smashed over
the bridge of the Majestic, seriosuly injuring the first officer and
White Star's final commodore, Edgar J. Trant.
That same year, Majestic became the first commercial vessel to
use the newly constructed King George V
Graving Dock. Following the merger
of White Star and Cunard in 1934, Majestic served the new company until
1936.
Left in her wake. |
After being laid up at Southampton, she was sold to the
Admiralty and converted into a training ship.
She was renamed HMS Caledonia.
Majestic in dock at Southampton, for conversion into HMS
Caledonia, via martimequest.com Photographer unknown. Ca. 1936.
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In September 1939, Caledonia caught fire and burnt
out, sinking at her moorings. The wreck was sold in March 1940 to Thomas W.
Ward for scrap, but it was not until July 1943, that the remains of Caledonia
were raised and towed to the scrapyard. Such
was the end of the last of Albert Ballin’s elegant trio.
I don't care how wide or tall they make these new-fangled cruise ships, they will never compare, architecturally, to the liners of the early to mid twentieth century. Lusitania, Olympic, the Imperator trio, the mid-century British Queens, the Europa and Normandie of the 1930s all actually *look* like ships!
ReplyDeleteI agree completely. I have a page from a CountryLife Magazine that's an advert for the Majestic, showing a layout of a Regal Suite.
DeleteI could not agree more with this sentiment! The big cruise ships are incredible vehicles but they are gaudy in my opinion-- as if they were cakes with too many layers. The current Cunard Queens are undeniably elegant and much more attractive than their contemporaries, but they lack the grace of the original Queens.
ReplyDelete